The theater, both in the places (from the oldest settlements, Roman theaters, historical theaters, to conventional spaces and the use of monumental or landscaping) as well as the typologies (folklore, sacred representations, stable programming, festivals and events) Leaves on the territory the signs of a presence that is always the form of the community, of a socialization of problems and perspectives; On the other hand a concept of entertainment endowed with end-to-end consumption has no historical impact on the life of the territory.
Lectures, with projection of video materials
Attending students
1) Lucio Argano, L'impresa di spettacolo dal vivo: percorsi e strumenti per la creazione di n,uovi soggetti culturali, seconda edizione aggiornata, Roma, Officina, 2009. Excepting pp. 145-155, 164 (last paragraph), 198-209. Those parts must be replaced by the drafts uploaded on Aulaweb.
2) Lesson's drafts
3) Documents published on Aulaweb
Non attending students
1) Lucio Argano, L'impresa di spettacolo dal vivo: percorsi e strumenti per la creazione di nuovi soggetti culturali, seconda edizione aggiornata, Roma, Officina, 2009. Excepting pp. 145-155, 164 (last paragraph), 198-209. Those parts must be replaced by the drafts uploaded on Aulaweb
2) Documents published on Aulaweb
3) a text by choice among:
MATTEO PAOLETTI (President)
ROBERTO CUPPONE
17th September 2018
ANTHROPOLOGY AND ORGANIZATION OF THEATER
Oral examination: the assessment will focus in equal parts (3/3) a) on the learning of the information contents of the prescribed texts, b) on the critical processing ability of their content, and c) on the initiative of personal deepening.
Attendance
Optional
