The class provides the basic tools to analyse the institutional, economical and cultural aspects of theatre and performing arts, also considering their historical ground. The course will especially deal with spoken drama and opera theatre.
The theater, both in the places (from the oldest settlements, Roman theaters, historical theaters, to conventional spaces and the use of monumental or landscaping) as well as the typologies (folklore, sacred representations, stable programming, festivals and events) Leaves on the territory the signs of a presence that is always the form of the community, of a socialization of problems and perspectives; On the other hand a concept of entertainment endowed with end-to-end consumption has no historical impact on the life of the territory.
Lectures, with projection of video materials.
Due to the health measures imposed by the so-called "Phase 3", detailed information regarding teaching activities and exams will be provided through Aulaweb.
Attending students
1) Mimma Gallina, Ri-organizzare teatro. Produzione, distribuzione, gestione, Franco Angeli, 2016 (2a ed.)
2) Lesson's drafts
3) Documents published on Aulaweb
Non attending students
2) Documents published on Aulaweb
3) a text by choice among:
Ricevimento: Saturday, when the lesson ends. In order to better organise the meeting, please notice the teacher one day in advance, sending an email to: matteo.paoletti@unige.it
MATTEO PAOLETTI (President)
ROBERTO CUPPONE
19th September 2020
ANTHROPOLOGY AND ORGANIZATION OF THEATER
Oral examination: the assessment will focus in equal parts (3/3) a) on the learning of the information contents of the prescribed texts, b) on the critical processing ability of their content, and c) on the initiative of personal deepening.
Attendance
Optional
