CODE 53108 ACADEMIC YEAR 2020/2021 CREDITS 6 cfu anno 2 CONSERVAZIONE DEI BENI CULTURALI 8453 (L-1) - GENOVA 6 cfu anno 1 DESIGN DEL PRODOTTO E DELLA NAUTICA 9274 (L-4) - GENOVA 6 cfu anno 1 DESIGN DEL PRODOTTO E DELLA NAUTICA 9274 (L-4) - LA SPEZIA 6 cfu anno 2 DESIGN DEL PRODOTTO E DELLA NAUTICA 9274 (L-4) - GENOVA 6 cfu anno 3 DESIGN DEL PRODOTTO E DELLA NAUTICA 9274 (L-4) - GENOVA 6 cfu anno 2 DESIGN DEL PRODOTTO E DELLA NAUTICA 9274 (L-4) - LA SPEZIA 6 cfu anno 3 DESIGN DEL PRODOTTO E DELLA NAUTICA 9274 (L-4) - LA SPEZIA SCIENTIFIC DISCIPLINARY SECTOR L-OR/20 LANGUAGE Italian TEACHING LOCATION GENOVA LA SPEZIA SEMESTER 2° Semester TEACHING MATERIALS AULAWEB OVERVIEW In Japan, Eurasia’s extreme geographic limit, there developed a complex civilization, typically insular yet cosmopolitan, rich in local traditions but capable of assimilating and ‘Japanizing’ the contributions and influxes coming from Continental Asia, Insular Asia and Europe. The technical foundations and artistic, ideological and social meanings of Japan’s figurative and decorative arts during the Edo period (1600-1867) and the Meiji era (1868-1912) will be explored and analysed within this cultural and historical background. AIMS AND CONTENT LEARNING OUTCOMES This course aims at: (1) Providing a comprehensive art-historical and cultural vision of the civilizations of Eastern Asia, by outlining their main historical developing lines and the dynamic factors of their mutual relations; (2) Highlighting the artistic and cultural aspects shared in common by the Asian countries from Antiquity up to Modernity; (3) Examining their most characteristic, original and typical art productions; (4) Focusing on the expressive characteristics and peculiarities of the arts in various Asian regions, with special regard to China and Japan. AIMS AND LEARNING OUTCOMES The main aim of these lessons consists in: (1) Providing a comprehensive art-historical and cultural perception of the civilization of Japan and of its main developing lines during the proto-modern and modern ages (17th-19th centuries). (2) Evidencing the most peculiar aesthetic and technical aspects of the Japanese artistic productions. (3) Focusing on the Asian and European civilization influences on the art productions of Japan and, conversely, on the influence of Japanese art in the West during the second half of the19th century and the early decades of the 20th century. Students are advised to attend the classes for at least 36 out of 40 hours (18 lessons). TEACHING METHODS Twenty lessons, two hours each, carried out with Power Point presentations. Remote learning: lessons via Microsoft Teams (code: d8zrlj7) SYLLABUS/CONTENT Part One. Introduction to the cultural history of Japan History of culture and development of ideas and thought in Japan. - Japan and Asia. – Japan and Europe, Europe and Japan. – Historical profile of the Japanese legislation on cultural properties (late 19th century – today). Part Two. The history of art in proto-modern and modern Japan (17th-19th century) Subjects and topics of the lessons Japanese collections in Italy, with special regard to the ‘Edoardo Chiossone’ Museum of Oriental Art in Genoa: the collector, the formation of his collections, and the foundation of the Chiossone Museum. The figurative culture of the city-dwellers (chōnin bunka). Life style and imagery of the bourgeois and of the common people as represented in ukiyoe, the art of the “floating world”: (1) paintings (nikuhitsu ukiyoe) and “brocade prints” (nishikie); (2) male and female clothing and accessories of artistic importance. The decorative culture in the Edo period: lacquer, porcelain, metal and enamel arts and techniques. RECOMMENDED READING/BIBLIOGRAPHY Donatella Failla, Masterpieces of Japanese Art from Edo Period to Modernization, exhibition catalogue, Museo d’Arte Orientale ‘Edoardo Chiossone’, Comune di Genova, Silvana Editoriale d’Arte, Milano 2002. Donatella Failla, “The Protection of Cultural Properties in Japan. Part One”, Zeitschrift für Japanisches Recht / Journal of Japanese Law, Deutsch-Japanische Juristenvereinigung E.V., Max-Planck-Institut für Privatrecht, 9. Jahrgang / Vol. 9 (2004) Nr. / 18, pp. 67-107. TEACHERS AND EXAM BOARD DONATELLA FAILLA Ricevimento: Students are advised to request an appointment in writing to Donatella.Failla@unige.it Exam Board DONATELLA FAILLA (President) GIACOMO MONTANARI FABRIZIO BENENTE (Substitute) LESSONS LESSONS START February 16, 2021 Class schedule HISTORY OF EASTERN ASIAN ART EXAMS EXAM DESCRIPTION Oral exam. ASSESSMENT METHODS Carried out coherently with the aim of the lessons and the learning outcomes, the oral exam will ascertain the candidate’s ability in (1) Providing a comprehensive art-historical and cultural perception of the civilization of Japan and of its main developing lines during the proto-modern and modern ages (17th-19th century). (2) Evidencing the most peculiar aesthetic and technical aspects of the Japanese artistic productions. (3) Focusing on the influences of the Asian and European civilizations on the art productions of Japan and, conversely, on the influence of Japanese art in the West during the second half of the19th century and the early decades of the 20th century. The candidate’s exam will be evaluated according to the following parameters: (1) coherence and consistence in describing the art-historical and socio-cultural contexts; (2) capability of critical reasoning on the subject and its topics; (3) expository ability and style, and proper use of the aesthetic and technical vocabulary concerning the artistic productions. Exam schedule Data appello Orario Luogo Degree type Note 20/01/2021 10:00 GENOVA Orale 10/02/2021 10:00 GENOVA Orale 12/05/2021 10:00 GENOVA Orale 27/05/2021 10:00 GENOVA Orale 11/06/2021 10:00 GENOVA Orale 30/06/2021 10:00 GENOVA Orale 15/09/2021 10:00 GENOVA Orale FURTHER INFORMATION EXAMINATION PROGRAMME (1) Study of the texts listed above. (2) Notes taken during the course, integrated by the lessons in Power Point and, if needed, by further material made available by the lecturer.