CODE 61289 ACADEMIC YEAR 2026/2027 CREDITS 9 cfu anno 2 LINGUE E CULTURE MODERNE 11884 (L-11 R) - GENOVA 9 cfu anno LINGUE E CULTURE MODERNE 8740 (L-11) - GENOVA 6 cfu anno LINGUE E CULTURE MODERNE 8740 (L-11) - GENOVA 9 cfu anno 3 STORIA 8459 (L-42) - GENOVA 9 cfu anno 1 LETTERATURE MODERNE E SPETTACOLO 11961 (LM-14) - GENOVA 9 cfu anno 2 LETTERE 11866 (L-10 R) - GENOVA 6 cfu anno 2 LETTERE 11866 (L-10 R) - GENOVA SCIENTIFIC DISCIPLINARY SECTOR GERM-01/B LANGUAGE Italian TEACHING LOCATION GENOVA SEMESTER Annual TEACHING MATERIALS AULAWEB OVERVIEW First part - Course title, first semester: "From Goethe to Christa Wolf: German Literature from XVIII to the XX Century" This annual course provides 9 credits and consists of 54 hours of lessons (36 hours: First part - first semester; 18 hours: Second part - second semester). The 6 CFU course consists of 36 hours of lessons (First part - first semester) Second part - Course title, second semester: "The Novella in German-language Literature" This annual course provides 9 credits and consists of 54 hours of lessons (36 hours: First part - first semester; 18 hours: Second part - second semester). The 6 CFU course consists of 36 hours of lessons (First part - first semester) The course will be held in Italian. AIMS AND CONTENT LEARNING OUTCOMES This course aims to study literary texts of the German-speaking region, in their inherent aesthetic character and as a privileged pathway to understanding German culture. AIMS AND LEARNING OUTCOMES First part Attendance and active participation in the proposed training activities and individual study will enable the student to: - Know the general lines of the development of German Literature from XVIII to XX Century, contextualizing literary productions in culture and in the historical period of reference. Second part At the end of the course, the student will be able to: Demonstrate knowledge of the general development of German culture and literature from the 18th to the 20th century Contextualize literary works within their cultural and historical framework Acquire an appropriate specialized vocabulary for intercultural communication Develop the theoretical knowledge necessary to undertake critical interpretation of textual content Comment on texts using specific methodologies for literary analysis. PREREQUISITES There are no specific requirements. It goes without saying that good linguistic competence in spoken and written Italian, skills in expression, and the background required for understanding the European historical context (acquired through proper secondary school learning), are taken for granted. TEACHING METHODS During the first semester: 36 hours of lectures held by the professor. In the second semester, the course will continue with 18 hours of lectures (2 hours per week). The analyses carried out in class will serve as examples of in-depth study, intended to stimulate students’ reflections and encourage their active participation. During the course, a sample exam (relating to this part of the second-semester program) will be provided and discussed together with the students. The course will be taught in Italian. SYLLABUS/CONTENT A. FIRST PART (First semester) The first part will take place during the first semester. The course entitled “From Goethe to Christa Wolf: German Literature from the 18th to the 20th Century” will focus on the study of the following authors and their works: 1) J. W. von Goethe I dolori del giovane Werther (lettura integrale) estratti dal Faust produzione poetica: Prometheus, Erlkönig, Wandrers Nachtlied 2) Novalis 'Primo Inno' (Inni alla Notte) 3) Heine Produzione poetica; Reisebilder (estratti); Deutschland. Ein Wintermärchen (estratti) 4) Fanny Lewald estratti dal Italienisches Bilderbuch (tradotti in aula) 5) Fontane Effi Briest (estratti) 6) Brecht Mutter Courage (estratti) produzione poetica: Verjagt mit gutem Grund, Legende vom toten Soldaten, Zu Potsdam unter den Eichen, Der Führer hat gesagt, Das Lied vom Anstreicher Hitler, Deutschland 7) T. Mann La morte a Venezia (lettura integrale) 8) Kafka La metamorfosi (lettura integrale) Brief an den Vater (lettura integrale) 9) Ch. Wolf Il cielo diviso (estratti) B. SECOND PART (Second semester) The course entitled “The Novella in German-Language Literature” will take place entirely during the second semester and will focus on the study of the following authors and their respective works: Goethe, Eine Novelle Kleist, Die Marquise von O... G.Keller, Romeo und Julia auf dem Dorfe T.Mann, Mario und der Zauberer Schnitzler, Leutnant Gustl Zweig, Schachnovelle On the basis of the study of the indicated texts, as well as their reading, commentary, and analysis carried out during the lectures, it will be possible to acquire a deeper understanding of the genre of the novella, grasping its formal, thematic, and stylistic characteristics. RECOMMENDED READING/BIBLIOGRAPHY First Part - References Primary texts The following volumes are commercially available. Parallel text editions are recommended. Additional material will be available on Aulaweb. J.W. von Goethe, I dolori del giovane Werther, Marsilio, Venezia 2022. J.W. von Goethe, Faust, Mondadori, Milano 2016. H. Heine, Poesie scelte, Mimesis, Milano 2016. H. Heine, Germania. Una fiaba d'inverno, Effigi, Arcidosso 2022. Novalis, Inni alla notte. Canti spirituali, Feltrinelli, Milano 2017. T. Fontane, Effi Briest, Garzanti 2014. B. Brecht, Poesie politiche, Einaudi, Torino 2015. B. Brecht, Mutter Courage, Einaudi, Torino 2016. T. Mann, La morte a Venezia, Marsilio, Venezia 2009. F. Kafka, La metamorfosi, Marsilio, Venezia 2024. F. Kafka, Lettera al padre, Feltrinelli, Milano 2013. C. Wolf, Il cielo diviso, E/O, Roma 2026. NON-ATTENDING STUDENTS: Non-attending students shall present the programme specified above, with the above cited critical literature and with the addition of the following textbooks: M. Freschi, Il canone tedesco, Aragno 2022. M. Freschi, La letteratura tedesca, Il Mulino 2008. Buglioni, Castellari, Goggio, Paleari (a cura di), Letteratura tedesca. Epoche, generi, intersezioni. Vol. 1: Dal Medioevo al primo Novecento. Vol. 2: Dal primo dopoguerra al nuovo millennio. Le Monnier, 2019 A. Agazzi, G. Gabbiadini, Storia letteratura tedesca. Dal tardo Illuminismo all'Età delle avanguardie, Einaudi, Torino 2024. Anton Reininger, La Letteratura tedesca dal Settecento ai giorni nostri. Torino, Rosenberg&Sellier, 2005 (disponibile presso la biblioteca di Lingue, p.zza s. Sabina 2) Non-attending students are in any case kindly requested to contact the professor. B. Second Part - References Goethe, Eine Novelle (Una novella) Kleist, Die Marquise von O... (La Marchesa di O...) G.Keller, Romeo und Julia auf dem Dorfe (Romeo e Giulietta nel villaggio) T.Mann, Mario und der Zauberer (Mario e il mago) Schnitzler, Leutnant Gustl (Il sottotenente Gustl) Zweig, Schachnovelle (La novella degli scacchi) It will be the professor’s responsibility to provide the students, in each instance, with photocopies related to the documents studied during lessons and to prepare lecture notes at the end of the course. The following books are suggested as supporting texts (non attending Students): Buglioni, Castellari, Goggio, Paleari (a cura di), Letteratura tedesca. Epoche, generi, intersezioni. Vol. 1: Dal Medioevo al primo Novecento. Vol. 2: Dal primo dopoguerra al nuovo millennio. Le Monnier, 2019 or: Anton Reininger, La Letteratura tedesca dal Settecento ai giorni nostri. Torino, Rosenberg&Sellier, 2005 Non-attending students are in any case kindly requested to contact the professor. TEACHERS AND EXAM BOARD SERENA SPAZZARINI Ricevimento: See personal page (www.lingue.unige.it) ARIANNA AMATRUDA LESSONS LESSONS START Lessons start on 20th October Class schedule The timetable for this course is available here: Portale EasyAcademy EXAMS EXAM DESCRIPTION Oral + Written examination. For further details, please refer to the assessment methods. ASSESSMENT METHODS First Part Learning will be assessed through an oral exam aimed at verifying knowledge of the authors and works covered in class, as well as their historical and critical context. Knowledge of the course content will be assessed through: 1) questions requiring students to demonstrate knowledge of the literary periods, the authors covered, and the relevant historical and cultural context; 2) reading of selected passages discussed in class in the original language, followed by a critical commentary. * Students with no prior knowledge of German may take the exam using the texts in Italian translation. Second part The assessment of learning consists of a written examination. Knowledge related to the course will be assessed through multiple-choice questions and open-ended questions in which students will be required to demonstrate: the knowledge they have acquired regarding the literature and culture of the relevant period, as well as the specific features of the texts studied; the ability to analyze short excerpts, applying the methodological approach developed during the course. Assessment will also take into account clarity of expression and accuracy in the use of subject-specific terminology, as well as argumentative and summarizing skills, and the ability to structure a written text with clarity of ideas. FURTHER INFORMATION For further information, students are advised to consult regularly the AulaWeb page dedicated to the course. Students who have valid certification of physical or learning disabilities on file with the University and who wish to discuss possible accommodations or other circumstances regarding lectures, coursework and exams, should speak both with the instructor and with Prof. Sara Dickinson (sara.dickinson@unige.it), the Department's disability liaison. Agenda 2030 - Sustainable Development Goals Quality education