CODE 64870 ACADEMIC YEAR 2021/2022 CREDITS 9 cfu anno 1 DESIGN DEL PRODOTTO E DELLA NAUTICA 9274 (L-4) - GENOVA 6 cfu anno 2 STORIA DELL'ARTE E VALORIZZAZ. PATRIMONIO ARTISTICO 8467 (LM-89) - GENOVA 9 cfu anno 3 LINGUE E CULTURE MODERNE 8740 (L-11) - GENOVA 6 cfu anno 3 CONSERVAZIONE DEI BENI CULTURALI 8453 (L-1) - GENOVA 9 cfu anno 1 LETTERE 8457 (L-10) - GENOVA 9 cfu anno 2 LETTERE 8457 (L-10) - GENOVA 9 cfu anno 3 LETTERE 8457 (L-10) - GENOVA 6 cfu anno LINGUE E CULTURE MODERNE 8740 (L-11) - GENOVA 9 cfu anno 2 DESIGN DEL PRODOTTO E DELLA NAUTICA 9274 (L-4) - GENOVA 9 cfu anno 3 DESIGN DEL PRODOTTO E DELLA NAUTICA 9274 (L-4) - GENOVA 9 cfu anno 1 DESIGN DEL PRODOTTO E DELLA NAUTICA 9274 (L-4) - LA SPEZIA 9 cfu anno 2 DESIGN DEL PRODOTTO E DELLA NAUTICA 9274 (L-4) - LA SPEZIA 9 cfu anno 3 DESIGN DEL PRODOTTO E DELLA NAUTICA 9274 (L-4) - LA SPEZIA SCIENTIFIC DISCIPLINARY SECTOR L-ART/05 LANGUAGE Italian TEACHING LOCATION GENOVA LA SPEZIA SEMESTER 2° Semester TEACHING MATERIALS AULAWEB OVERVIEW This course provides students with a basic knowledge of the history of Western Theater. The course aims at: 1) introducing students to the concepts of “Theater” and “Performing Arts” in their complexity; 2) making students familiar with the most important forms and functions that theater has covered during history; 3) offering cues for a first analytic approach to contemporary theatre. AIMS AND CONTENT LEARNING OUTCOMES This course provides students with a basis of knowledge on the history of the theater and performing arts. The aim is to connect knowledge of historical events to an understanding of the various forms, meanings and functions that “Theater” and “Spectacle” have taken in different times and places. A focus is on the relationship that, at times, has been established between text (if present) and performance (the spectacle, which can be broken down into many elements: playwriting, acting, direction, scenography etc.). The ultimate goal is to provide students with the skills to describe, analyze and interpret contemporary theater. AIMS AND LEARNING OUTCOMES - Ability to set a theatrical event its historical context (in relation to dramaturgy, space and acting) and to express it. - Ability to distinguish and analize, at a basic level, the different elements that build a theatre performance. In addition for 9 CFU: - Ability to describe, analize and interpret at a basic level contemporary theatre. PREREQUISITES There is no prerequisite for this course. TEACHING METHODS In-class lectures with slides and video projections. Attendance at the theatre evenings is optional. Lessons are envisaged in dual mode (presence in class + remote streaming on Unige MSTeams). The code for access will be available here. Registration on Aulaweb is compulsary. SYLLABUS/CONTENT For students who take 6 CFU After a brief introduction to the discipline, the first two modules will be dedicated to studying the most important events of the history of Theater in the West from the 5th century B.C. to the second half of the 20th century. For students who take 9 CFU The third module of lessons will be focused on Carlo Quartucci (1938-2019), one of the protagonists of the Italian experimental scene. Themes that will be discussed are: the redifinition of the concepts of actor, director, dramaturgy; the contamination theatre/visual arts; the relationship between experimental theatre and institutions; the decentralization; performance's aesthetic. RECOMMENDED READING/BIBLIOGRAPHY ERASMUS STUDENTS - 6 CFU Storia del teatro e dello spettacolo, edited by M. Cambiaghi, A. Egidio, I. Innamorati, A. Sapienza, Milano-Torino, Pearson, 2020. Six plays to be read in full, amongst the ones listed below: Euripide, Baccanti Euripide, Troiane William Shakespeare, Macbeth Luigi Pirandello, Enrico IV Eduardo De Filippo, Sik Sik l’artefice magico Eugène Jonesco, Le sedie Tennessee Williams, Lo zoo di vetro Edward Albee, Chi ha paura di Virginia Woolf? Thomas Bernhard, Piazza degli eroi 3. Slides and videos published on Aulaweb. ERASMUS STUDENTS - 9 CFU Add to the previous bibliography: Donatella Orecchia, Stravedere la scena. Carlo Quartucci. Il viaggio nei primi venti anni 1959-1979, Mimesis, Milano 2020 Bibliography for students not proficient in Italian language may be arranged individually in other languages (English, or French or German). TEACHERS AND EXAM BOARD LIVIA CAVAGLIERI Ricevimento: Office hours are on individual appointment (by mail) on Storia del teatro Team, Channel Ricevimento (Access code: 79gs0z) Exam Board LIVIA CAVAGLIERI (President) ROBERTO CUPPONE EMANUELA CHICHIRICCO' (Substitute) FEDERICA SCAGLIONE (Substitute) VALERIA SCREPIS (Substitute) LESSONS LESSONS START February 2022 Class schedule HISTORY OF THE PERFORMING ARTS EXAMS EXAM DESCRIPTION Attending students may take a written test. Not attending students will take an oral exam. ASSESSMENT METHODS 6 cfu oral exam: Two questions on the handbook and/or on Aulaweb materials. One question on topics covered in class or in the text for not attending students. 9 cfu oral exam: Two questions on the handbook and/or on Aulaweb materials One question on topics covered in class or in the text for not attending students One questions on a text arranged individually Exam schedule Data appello Orario Luogo Degree type Note 20/01/2022 11:00 GENOVA Orale 09/02/2022 12:00 GENOVA Orale 12/05/2022 10:00 GENOVA Orale 15/06/2022 10:00 GENOVA Orale 06/07/2022 10:30 GENOVA Orale 20/07/2022 09:30 GENOVA Orale 05/09/2022 10:00 GENOVA Orale FURTHER INFORMATION The following workshops are not compulsary, but recommended (for more information, see https://corsi.unige.it/8457/p/studenti-laboratori): Laboratorio di allestimento del testo teatrale Laboratorio di teatro pratico Laboratorio di teatro sociale Laboratotio di analisi della performance tecnologica