What are The course of study includes the obligation to acquire CFUs by performingOther Activities that are closely related to your university course and useful for your placement in the world of work. The other activities, achievable according to a typology minutely described in the Course Didactic Regulations, are aimed at enhancing communication skills and abilities, computer skills, related to transversal skills and for students in the Performing Arts curriculum specifically concerning Laboratories and Internships carried out in entities and institutions related to music, entertainment and media. In your study plan, you have 3 CFUs available for other activities. You can enter the code for Other Activities in your syllabus indifferently in your first or second year. N.B.The Other Activities can be carried outat any time during the three years but you can only request their recognition provided that you have entered the corresponding code in your study plan. If you have not entered it, you will still be able to carry out activities that are useful for earning Other Credits.To submit documentation you will have to wait until the following academic year, when you enter the code for the educational activity in your plan.
Recognized activities In case you miss only part of the credits Other Activities to be able to graduate, and you have all the other necessary requirements, you can arrange with the Other Credits Committee of your Course a replacement activity that you can do at home (including written papers and research on assigned topics). Remember that all other CFU acquisition options for Other Activities listed below still apply. Subscribe annually to the Aulaweb "Notices and Useful Documents" and check the News and Events section of the site often to stay up-to-date on CFU acquisition arrangements. Cases recognised by the course: Laboratories activated by the Department or recognised by the Course and available on the Course website;. Erasmus or Cinda stay: 2 CFUs for the acquisition of 12 CFUs abroad, 3 CFUs for the acquisition of 18 CFUs, regardless of the duration of the stay abroad; Period of study abroad for reasons other than the Erasmus+ programme, for a maximum of 3 CFU, assessed on a case-by-case basis by the committee. Internships and work placements approved by the course of study and the Department for a total of 3 non-divisible CFUs acquired in 75 hours. This criterion also applies to activities assimilated to internships and work placements carried out within the framework of international mobility programmes. Certification is also valid for activities assimilated to internships and work placements carried out within the framework of international mobility programmes. Certification of language knowledge starting from level B2, issued by bodies recognised by UniGe or by an appropriate public and/or private institute, in Italy or abroad, with proof of passing the relevant test. For a total of 3 non-divisible CFUs (please note: the certification used for the language assessment test of the three-year course cannot be reused for the CFUs of the Other activities).. Participation in scientific initiatives (conferences, congresses, seminars, training courses, etc.) on the following conditions: 1) the activity must have been accredited in advance by the course of study; 2) the presence of a signature sheet recording your participation for the entire duration of the conference or seminar; 3) the writing of an articulate and detailed report of the work of the conference or seminar followed and checked by the proposing professor (where required). Post-secondary diplomas issued by university or para-university institutes and public bodies, certificates for courses of the same type (3 CFU non-divisible) with proof of passing the relevant examination. The following are also required Civil Service certified and carried out at legally recognised institutions (duration of at least one year, for 3 CFU), judged by the Commission to be pertinent to the course of study. Certified work experience pertinent to the curriculum as judged by the Commission Credits other and of at least annual duration. Secondary School of Specialisation for Secondary Teaching (SSIS) and/or Training Course for Specialisation in Teaching Support Activities for Pupils with Disabilities (TFA): placements undertaken during these courses may be recognised for a total of 3 CFU.
Proposals Other activities Workshops Find the list of Laboratories offered by the Course of Study at the page dedicated to Laboratories Find the list of Laboratories offered by the Course of Study at the page dedicated to Laboratories English course - level B2 3 CFUs The Language Skills Development Sector (CLAT) offers the opportunity to attend a free English course to obtain level B2 certification. After taking the course, in self-study, you can take the test and obtain, following an application to the CLAT, the certificate of proficiency. More info here: https://clat.unige.it/TestENB2. The course is made available on the Aulaweb portal every year, around mid-October. Interested students should request the access password by writing to didattica.diraas@unige.it. Please note that in order to obtain the recognition of credits, the certificate of eligibility issued by CLAT must be forwarded to the Commission, and then the final test must be taken and passed. ------------------------- As an alternative to the self-study course provided by the Language Skills Development Department, you can take the English Language B2 course code 108657. In order to obtain recognition of credits, you will have to request from the course instructor a certificate of passing the final exam, which you will have to forward to the Commission other credits. 3 CFUs The Language Skills Development Sector (CLAT) offers the opportunity to attend a free English course to obtain level B2 certification. After taking the course, in self-study, you can take the test and obtain, following an application to the CLAT, the certificate of proficiency. More info here: https://clat.unige.it/TestENB2. The course is made available on the Aulaweb portal every year, around mid-October. Interested students should request the access password by writing to didattica.diraas@unige.it. Please note that in order to obtain the recognition of credits, the certificate of eligibility issued by CLAT must be forwarded to the Commission, and then the final test must be taken and passed. ------------------------- As an alternative to the self-study course provided by the Language Skills Development Department, you can take the English Language B2 course code 108657. In order to obtain recognition of credits, you will have to request from the course instructor a certificate of passing the final exam, which you will have to forward to the Commission other credits. Citizenship training The Citizenship Training course is aimed at all students enrolled in the University's undergraduate, master's, single-cycle master's and PhD courses, regardless of the Department offering the course or the course they are enrolled in. The aim of the course is to promote the development of active and responsible citizenship through the acquisition of personal and social, entrepreneurial and digital skills. The Course of Study recognises among other curricular activities the seminar modules activated by the Departments of the School of Humanities. Marginals and Rights (DAFIST - ref. prof. Langella) - 1 CFU Multiculturalism and citizenship (DLCM - ref. prof. Pusillo) - 1 CFU Religions in public space (DAFIST - ref. prof. Colagrossi) - 1 CFU The Citizenship Training course is aimed at all students enrolled in the University's undergraduate, master's, single-cycle master's and PhD courses, regardless of the Department offering the course or the course they are enrolled in. The aim of the course is to promote the development of active and responsible citizenship through the acquisition of personal and social, entrepreneurial and digital skills. The Course of Study recognises among other curricular activities the seminar modules activated by the Departments of the School of Humanities. Marginals and Rights (DAFIST - ref. prof. Langella) - 1 CFU Multiculturalism and citizenship (DLCM - ref. prof. Pusillo) - 1 CFU Religions in public space (DAFIST - ref. prof. Colagrossi) - 1 CFU Laboratorio di avvicinamento alla Lingua dei Segni Italiana (LIS) Introduced in the wake of the recognition of the Italian Sign Language (LIS) by the Italian state, these workshops aim to bring those who participate closer to the world of LIS; a world in which communication passes through a different channel from the one we usually associate with (spoken) languages: the visual-gestural channel. Lecturer responsible: Danilo Monteverde The course of study recognises 1 CFU for the basic level course and 1 CFU for the intermediate level course. More information on class schedules and classrooms will be published in due course on the "News" section of this website. Introduced in the wake of the recognition of the Italian Sign Language (LIS) by the Italian state, these workshops aim to bring those who participate closer to the world of LIS; a world in which communication passes through a different channel from the one we usually associate with (spoken) languages: the visual-gestural channel. Lecturer responsible: Danilo Monteverde The course of study recognises 1 CFU for the basic level course and 1 CFU for the intermediate level course. More information on class schedules and classrooms will be published in due course on the "News" section of this website. Seminar Human Rights: origins, developments and contemporary trends 1 CFU Lecturer: M. Stella Acerno Period: It starts on 6 March 2025 in Lecture Hall A of the Didactic Pole in Via delle Fontane, from 5 p.m. to 7 p.m. and continues every Thursday in Lecture Hall A Pole from 5 p.m. to 7 p.m. for a total of twelve meetings. For registration and information: info.cedu@libero.it PRESENTATION The seminar will deal with issues concerning human rights in the various aspects that characterise them on a historical, legal, cultural and educational level. Starting from the definitions of the concept of human rights, the origins, development and contemporary trends concerning civil and political, social, economic and cultural rights are analysed. In-depth studies are devoted to education and the relationship between art, film and human rights. 1 CFU Lecturer: M. Stella Acerno Period: It starts on 6 March 2025 in Lecture Hall A of the Didactic Pole in Via delle Fontane, from 5 p.m. to 7 p.m. and continues every Thursday in Lecture Hall A Pole from 5 p.m. to 7 p.m. for a total of twelve meetings. For registration and information: info.cedu@libero.it PRESENTATION The seminar will deal with issues concerning human rights in the various aspects that characterise them on a historical, legal, cultural and educational level. Starting from the definitions of the concept of human rights, the origins, development and contemporary trends concerning civil and political, social, economic and cultural rights are analysed. In-depth studies are devoted to education and the relationship between art, film and human rights. Permanent Theatre Workshop - The Falcon Participation in the Permanent Theatrical Workshop organised at the Falcone Interdepartmental Centre entitles you to the recognition of 2 CFU. A schedule of the workshop activities is attached, for a total of 96 hours of teaching: Document IF Laboratorio Teatrale Permanente 2024/25 Participation in the Permanent Theatrical Workshop organised at the Falcone Interdepartmental Centre entitles you to the recognition of 2 CFU. A schedule of the workshop activities is attached, for a total of 96 hours of teaching: Document IF Laboratorio Teatrale Permanente 2024/25 Pride of words 1 CFU Proposing Lecturer: Alessandro Ferraro Genova, Palazzo Ducale, 8-9 November 2024 The Pride of words is back, an opportunity to talk about issues dear to the lgbtqia+ community, and not only, thanks to some books of the last few years and the voice of those who wrote them. Those wishing to take the cfu will have to: Register by sending an email to alessandro.ferraro@unige.it no later than Monday 4 November 2024 (the subject of the email must be "Place reservation for the Pride of Words" and the text must include basic information, i.e. first name, surname, matriculation number and course of study). Attend the Pride of Words. Come to the Pride of Words on both days, by signing the attendance list, which will be available at the Ducal Palace, both at the beginning and at the end of the two events.. Submit, also to alessandro.ferraro@unige.it, no later than Friday 20 December 2024, a three-page report, the instructions for which can be found below. Further information and instructions for the final report can be found in the flyer: Document Pride delle parole 2024 1 CFU Proposing Lecturer: Alessandro Ferraro Genova, Palazzo Ducale, 8-9 November 2024 The Pride of words is back, an opportunity to talk about issues dear to the lgbtqia+ community, and not only, thanks to some books of the last few years and the voice of those who wrote them. Those wishing to take the cfu will have to: Register by sending an email to alessandro.ferraro@unige.it no later than Monday 4 November 2024 (the subject of the email must be "Place reservation for the Pride of Words" and the text must include basic information, i.e. first name, surname, matriculation number and course of study). Attend the Pride of Words. Come to the Pride of Words on both days, by signing the attendance list, which will be available at the Ducal Palace, both at the beginning and at the end of the two events.. Submit, also to alessandro.ferraro@unige.it, no later than Friday 20 December 2024, a three-page report, the instructions for which can be found below. Further information and instructions for the final report can be found in the flyer: Document Pride delle parole 2024 Poetry review 'Poet' 2024-25 1 CFU To obtain the award, students must attend at least five meetings, read two collections of their choice from those presented and write a review of one of them (to be sent by 30 June 2025). Write to poetrpc@gmail.com The calendar of meetings includes eight appointments: 18 October 2024, Pietro Cardelli, Tu devi prendere il potere, Interlinea, 2023 13 November 2024, Ida Travi, I Tolki, il Saggiatore, 2024 13 December 2024, Marko Miladinovic, Maximum Book of Poetry, Agency X, 2024 17 January 2025, Luca Rizzatello, Leaprosaria, Prufrock, 2024 21 February 2025, Tommaso Ottonieri, Cinema of spells, The happy life, 2024 28 March 2025, Sabrina Ragucci, Miss G, Tic, 2024. 11 April 2025, Chiara Serani, Dialogues of the Chair, Anterem, 2024 9 May 2025, Damiano Sinfonico, Le spente lingue, Vydia, 2024 , poet. - is a collective founded in 2019 with the intention of observing, studying and making known the many faces of contemporary poetry. Currently of , poet. - includes Simone Biundo, Ilaria Crotti, Paola Fossa, Valentina Mele, Sara Sorrentino. The meetings take place at the Circolo U.S San Bernardo (Via delle Grazie 40r, 16128, Genoa), the entrance is free but it is necessary to have the ARCI membership card; it is possible to join directly at the club, at the price of 15 euros, reserved for students of the University. The membership card is valid from 1 October to 30 September of the following year, is national and allows access to all the clubs in Italy. Each meeting starts at 6 p.m. and lasts about an hour; afterwards there will be space to get together, share opinions, and participate in evenings organised by the club. The meeting on 13 November with Ida Travi will be held at the Society for Scientific Readings and Conversations. The meeting on 13 November with Ida Travi will be held at the Society for Scientific Readings and Conversations. 1 CFU To obtain the award, students must attend at least five meetings, read two collections of their choice from those presented and write a review of one of them (to be sent by 30 June 2025). Write to poetrpc@gmail.com The calendar of meetings includes eight appointments: 18 October 2024, Pietro Cardelli, Tu devi prendere il potere, Interlinea, 2023 13 November 2024, Ida Travi, I Tolki, il Saggiatore, 2024 13 December 2024, Marko Miladinovic, Maximum Book of Poetry, Agency X, 2024 17 January 2025, Luca Rizzatello, Leaprosaria, Prufrock, 2024 21 February 2025, Tommaso Ottonieri, Cinema of spells, The happy life, 2024 28 March 2025, Sabrina Ragucci, Miss G, Tic, 2024. 11 April 2025, Chiara Serani, Dialogues of the Chair, Anterem, 2024 9 May 2025, Damiano Sinfonico, Le spente lingue, Vydia, 2024 , poet. - is a collective founded in 2019 with the intention of observing, studying and making known the many faces of contemporary poetry. Currently of , poet. - includes Simone Biundo, Ilaria Crotti, Paola Fossa, Valentina Mele, Sara Sorrentino. The meetings take place at the Circolo U.S San Bernardo (Via delle Grazie 40r, 16128, Genoa), the entrance is free but it is necessary to have the ARCI membership card; it is possible to join directly at the club, at the price of 15 euros, reserved for students of the University. The membership card is valid from 1 October to 30 September of the following year, is national and allows access to all the clubs in Italy. Each meeting starts at 6 p.m. and lasts about an hour; afterwards there will be space to get together, share opinions, and participate in evenings organised by the club. The meeting on 13 November with Ida Travi will be held at the Society for Scientific Readings and Conversations. The meeting on 13 November with Ida Travi will be held at the Society for Scientific Readings and Conversations. Literary cycles at the Doge's Palace 1 CFU To gain recognition students must attend at least five of the seven/eight meetings scheduled in the Zhemao (November-December 2024) and Paradigms. Transversal gazes and rewritings of the artistic/literary/political/linguistic canon (February-March 2025) organised by Dr Ilaria Crotti at Palazzo Ducale. Writing at eventifalsodemetrio@gmail.com In addition to attending the five meetings of their choice, students will have to write a final report. - Four meetings of the Zhemao cycle: For its second edition, Zhemao continues its dialogue with writers today. The aim remains to give literature a voice and investigate how it takes shape, what themes it pursues, how much dedication it requires. The publishing aspect is also brought into focus: what does it mean to publish today? what difficulties are encountered? how does the contemporary Italian publishing system work; and, on reflection, is it so different from the past? . 6 November DARIO VOLTOLINI | Invernale, Nave di Teseo, 2024 The following spoke: Dario Voltolini and Ilaria Crotti The father splits animals, enters their guts, separates muscles from membranes, removes organs and bones. The father sells pieces of animals. The father dives into the biological chasm and pulls steaks out of it. Meat cuts are his trade and his art. The father is a butcher. The father's task is to go into the dead flesh and come out of it by handing it to the living, so that life can continue its voracious chain. He is a ferryman between the two sides of the meat, between viande and chair, between meat and flesh. At the market stall, he serves the fearful who do not face the bodies they eat, who do not want to know, delegating the dirty work to the butchers. One day something goes wrong in the perfect choreography of the blades and a crooked cut almost takes off a thumb. It is the beginning of another descent into flesh, this time his own. At work, a bacterium has contaminated him. It starts with an infection, continues with exhaustion, a feral diagnosis, medical protocols, trips to clinics abroad. His 20-year-old son Dario plunges his gaze into his father's deteriorating flesh, and into the melancholy of his departure. A strong intimacy envelops them, as happens almost only in the relationship between daughters and mothers. We enter into the son's gaze, prehensile and exact, as he sees his father keel over. Precision is the form his devotion and suffering take. Reading Dario Voltolini one is led to think that one can do without the world: his words are enough, his descriptions sparkling, capable of grasping things and arousing them like no one else. Tiziano Scarpa 13 November IDA TRAVI | I Tolki, il Saggiatore, 2024 The following spoke: Ida Travi and the Poet.-, collective. Chandra Livia Candiani called it "a magical work", Mariangela Gualtieri brought it to the theatre and cinema trying to transpose "its unique extraordinary music": for the first time Ida Travi's ten-year-long work, the Tolki saga, is collected in a single volume. Over time Ida Travi has inhabited the boundaries of publishing and literature, although she has always magically managed to track down those who love words and their mystery, of which these beings called Tolki are the embodiment. Silhouetted figures, remnants of a thousand-year-old family, relatives to come, or antediluvians: these are the Tolki, as Ida Travi describes them. Sacred and miserable, mysterious and simple, ghosts from each person's life, a life that fears to be uttered. They use a poor language, harsh as guilt, light as deliverance. They approach their readers with circumspection, not knowing whether to trust them, whether to confide their secrets, to reveal where they come from, what animates them, where they go. If they did, however, their readers would discover where the words come from, what animates them and where they go: they would know the future of the world. They would know the future of the world. 20 November (forthcoming) 4 December MARIA GRAZIA CALANDRONE | Magnifico e tremendo stava l'amore, Einaudi, 2024 With Maria Grazia Calandrone and Ilaria Crotti After the success of Dove non mi hai portata, Maria Grazia Calandrone investigates the lives of the protagonists of a real event, with the eyes of an investigator and the sensitivity of a poet. And she gives us back an affair in which the chiaroscuros are so many and so intertwined as to prevent us from a single reading. . - Four encounters of the Paradigms cycle (third edition) at Palazzo Ducale Sala Camino - transversal gazes and rewritings of the artistic/literary/political/linguistic canon: Chiara Mercuri, The Birth of Medieval Feminism, Einaudi 2024 - February 2025 Benedetta Tobagi, book coming out at the end of November, on women's resistance - 12 March 2025 A.a. Vv., _Stories of Women Athletes Who Changed the Game,_66thand2nd, 2024 -February 2025 (a meeting to be announced)- March 2025. 1 CFU To gain recognition students must attend at least five of the seven/eight meetings scheduled in the Zhemao (November-December 2024) and Paradigms. Transversal gazes and rewritings of the artistic/literary/political/linguistic canon (February-March 2025) organised by Dr Ilaria Crotti at Palazzo Ducale. Writing at eventifalsodemetrio@gmail.com In addition to attending the five meetings of their choice, students will have to write a final report. - Four meetings of the Zhemao cycle: For its second edition, Zhemao continues its dialogue with writers today. The aim remains to give literature a voice and investigate how it takes shape, what themes it pursues, how much dedication it requires. The publishing aspect is also brought into focus: what does it mean to publish today? what difficulties are encountered? how does the contemporary Italian publishing system work; and, on reflection, is it so different from the past? . 6 November DARIO VOLTOLINI | Invernale, Nave di Teseo, 2024 The following spoke: Dario Voltolini and Ilaria Crotti The father splits animals, enters their guts, separates muscles from membranes, removes organs and bones. The father sells pieces of animals. The father dives into the biological chasm and pulls steaks out of it. Meat cuts are his trade and his art. The father is a butcher. The father's task is to go into the dead flesh and come out of it by handing it to the living, so that life can continue its voracious chain. He is a ferryman between the two sides of the meat, between viande and chair, between meat and flesh. At the market stall, he serves the fearful who do not face the bodies they eat, who do not want to know, delegating the dirty work to the butchers. One day something goes wrong in the perfect choreography of the blades and a crooked cut almost takes off a thumb. It is the beginning of another descent into flesh, this time his own. At work, a bacterium has contaminated him. It starts with an infection, continues with exhaustion, a feral diagnosis, medical protocols, trips to clinics abroad. His 20-year-old son Dario plunges his gaze into his father's deteriorating flesh, and into the melancholy of his departure. A strong intimacy envelops them, as happens almost only in the relationship between daughters and mothers. We enter into the son's gaze, prehensile and exact, as he sees his father keel over. Precision is the form his devotion and suffering take. Reading Dario Voltolini one is led to think that one can do without the world: his words are enough, his descriptions sparkling, capable of grasping things and arousing them like no one else. Tiziano Scarpa 13 November IDA TRAVI | I Tolki, il Saggiatore, 2024 The following spoke: Ida Travi and the Poet.-, collective. Chandra Livia Candiani called it "a magical work", Mariangela Gualtieri brought it to the theatre and cinema trying to transpose "its unique extraordinary music": for the first time Ida Travi's ten-year-long work, the Tolki saga, is collected in a single volume. Over time Ida Travi has inhabited the boundaries of publishing and literature, although she has always magically managed to track down those who love words and their mystery, of which these beings called Tolki are the embodiment. Silhouetted figures, remnants of a thousand-year-old family, relatives to come, or antediluvians: these are the Tolki, as Ida Travi describes them. Sacred and miserable, mysterious and simple, ghosts from each person's life, a life that fears to be uttered. They use a poor language, harsh as guilt, light as deliverance. They approach their readers with circumspection, not knowing whether to trust them, whether to confide their secrets, to reveal where they come from, what animates them, where they go. If they did, however, their readers would discover where the words come from, what animates them and where they go: they would know the future of the world. They would know the future of the world. 20 November (forthcoming) 4 December MARIA GRAZIA CALANDRONE | Magnifico e tremendo stava l'amore, Einaudi, 2024 With Maria Grazia Calandrone and Ilaria Crotti After the success of Dove non mi hai portata, Maria Grazia Calandrone investigates the lives of the protagonists of a real event, with the eyes of an investigator and the sensitivity of a poet. And she gives us back an affair in which the chiaroscuros are so many and so intertwined as to prevent us from a single reading. . - Four encounters of the Paradigms cycle (third edition) at Palazzo Ducale Sala Camino - transversal gazes and rewritings of the artistic/literary/political/linguistic canon: Chiara Mercuri, The Birth of Medieval Feminism, Einaudi 2024 - February 2025 Benedetta Tobagi, book coming out at the end of November, on women's resistance - 12 March 2025 A.a. Vv., _Stories of Women Athletes Who Changed the Game,_66thand2nd, 2024 -February 2025 (a meeting to be announced)- March 2025. Reading aloud of texts from contemporary Italian literature project organised by the Teatro della Tosse in collaboration with DIRAAS teachers 1 CFU In addition to attending the preparatory meetings, students will be required to participate in the public reading scheduled at the Feltrinelli Bookshop. Document Progetto lettura per studenti universitari DIRAAS.pdf project organised by the Teatro della Tosse in collaboration with DIRAAS teachers 1 CFU In addition to attending the preparatory meetings, students will be required to participate in the public reading scheduled at the Feltrinelli Bookshop. Document Progetto lettura per studenti universitari DIRAAS.pdf International conference 'Prehumanism between grammar and rhetoric: texts, authors, school, university' 1 CFU The Conference, organised by Clara Fossati, Domenico Losappio and Biagio Santorelli, will be held in Via Balbi 2 on 25 (afternoon), 26 (all day) and 27 (morning) November 2024. The aim of the conference is to investigate the role of the first two of the seven liberal arts, grammar and rhetoric, in pre-humanistic circles and, more specifically, in pre-humanistic education, also in the light of the most recent studies and critical editions. To what extent were grammatical studies based directly on ancient texts or on texts that found their foundations in older texts? What was the role of rhetoric and, within it, the relationship between the different artes (dictandi, notariae, poetriae)? These are some of the lines of research: analysis of grammatical or rhetorical texts developed in pre-humanistic cultural environments: their manuscript tradition, their fortunes, their exegesis, their classical and medieval sources; rhetorical/grammatical analysis of texts by prehumanist authors; glosses and commentaries by authors belonging to pre-humanist cultural environments on classical and medieval grammatical or rhetorical texts; codicological and/or palaeographical investigations of manuscripts containing grammatical or rhetorical texts made in prehumanistic cultural environments; influence of classical rhetorical or grammatical texts on texts composed in prehumanistic settings; school and university in prehumanistic cultural environments: curricula, texts, teachers; discussion of the critical literature available to date on the themes of the conference. Students, at the beginning and end of each session of the conference, must register their attendance by signing a special sheet. Students are also expected to write a short written report, which will be checked by one of the lecturers organising the event. 1 CFU The Conference, organised by Clara Fossati, Domenico Losappio and Biagio Santorelli, will be held in Via Balbi 2 on 25 (afternoon), 26 (all day) and 27 (morning) November 2024. The aim of the conference is to investigate the role of the first two of the seven liberal arts, grammar and rhetoric, in pre-humanistic circles and, more specifically, in pre-humanistic education, also in the light of the most recent studies and critical editions. To what extent were grammatical studies based directly on ancient texts or on texts that found their foundations in older texts? What was the role of rhetoric and, within it, the relationship between the different artes (dictandi, notariae, poetriae)? These are some of the lines of research: analysis of grammatical or rhetorical texts developed in pre-humanistic cultural environments: their manuscript tradition, their fortunes, their exegesis, their classical and medieval sources; rhetorical/grammatical analysis of texts by prehumanist authors; glosses and commentaries by authors belonging to pre-humanist cultural environments on classical and medieval grammatical or rhetorical texts; codicological and/or palaeographical investigations of manuscripts containing grammatical or rhetorical texts made in prehumanistic cultural environments; influence of classical rhetorical or grammatical texts on texts composed in prehumanistic settings; school and university in prehumanistic cultural environments: curricula, texts, teachers; discussion of the critical literature available to date on the themes of the conference. Students, at the beginning and end of each session of the conference, must register their attendance by signing a special sheet. Students are also expected to write a short written report, which will be checked by one of the lecturers organising the event. N.B. To learn about other opportunities subscribe to the Aulaweb "Notices and useful documents - Modern Literature and Performing Arts" and browse the announcements
CFU Recognition To apply for the recognition of other credits you must submit to the Other Credits Committee, at least three months before the final discussion, the specific form with a paper trail attesting:the activity performed and/or the competence acquiredthe duration of the activityYou can also submit a self-certification regarding the duration of the training activities. In this case, the Commission Credits Others, proceeding with spot checks, may ask you later for formal documentation. Activities already recognized during the three-year course cannot be recognized again as course credits during the master's degree course.